
SNOWY gives this round an immediate landscape, but the more interesting question is what the poets make move inside it. Diana’s poem does something especially neat with this week’s movement theme by taking movement away: “SNOWY roads cut off” suddenly explains the frantic cupboard search and traps the poem in place. Debbie moves in the opposite direction, drawing someone physically closer toward safety from the snowy night. Elsewhere we get falling stones, beach excursions, restless survival, and some unapologetic zappai weirdness. A movement poem doesn’t always have to travel very far—sometimes stopping the road is enough.